SEETEC monitor ATEM215S

Complete monitoring solution for live production, broadcast and post production

SEETEC ATEM215S is a full HD broadcast monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminium housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. It supports VESA standard, and can be bracket-mounted or wall-mounted installation. It is an ideal monitor for live production, broadcast and post-production.

Key Features:

21.5-inch 1920x1080 full HD large screen
Rugged aluminium housing, durable
Flexible and intuitive button operation, easy to use)
Mulitple display modes (single, PIP, quad)
Supports 3D LUT Log to REC.709 and user 3D LUT upload (up to 36)
With Waveform, Vectorscope, RGB Histogram, Focus Assist, Monochrome etc. functions, can help you accurately exposure and focus every shot.
Multiple interfaces, meet different needs (4*3G-SDI inputs and outputs, 1*HDMI input, RS485, GPI)
Stereo Earphone output
VESA standard mounting points support for bracket or hang wall installation

21.5-inch Full HD LCD

The ATEM215S adopts a 21.5-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 250cd/㎡ brightness, 1000:1 contrast ratio, 178° wide viewing angle, allows you to see clearly no matter you monitor from which angle.

Rugged and durable, easy to dissipate heat

The full aluminum alloy frame not only make the device more solid and durable, but also solve the problem of heat dissipation.

Accurate Color Reproduction

Use Rec.709 color standard
Accurate color reproduction is one of the important indicators for measuring professional monitors. ATEM215S built-in 3D-LUT, adopts the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory to ensure the consistency of color reproduction of each monitor.

Flexible and Intuitive Button Operation

When you are busy at the shooting scene, you need to be able to easily control the equipment, and the ATEM215S can meet your needs. It can switch between one-button sources, custom shortcuts, and quickly adjust brightness, contrast, volume, etc. to make shooting easier. The backlight button design makes it easier for you to distinguish the current input signal and the shortcut keys used, easy to use even in dimly lit studio or outdoor environments.

Standard VESA Mounting Points

The ATEM215S is equipped with 4 standard VESA mounting points,you can mount it in a rack or hang it on a wall. Flexible mounting for a busy newsroom.

4X3G-SDI Inputs and Output

Perfect SDI monitoring
ATEM215S monitors are the perfect choices to add SDI monitoring anywhere you need it. It comes with 4x3G-SDI signal inputs and outputs, suitable for multicamera shooting in crew, and simultaneous monitoring by multiple persons. In addition, it also with a HDMI input, RS485, GPI control interface, meet different needs.

Multiple Power Options

Long-lasting Power Shooting
The monitor provides 12V DC power interface, XLR connector and Sony V-mount battery plate for options.
Note: The battery plate default is V-mount Plate, the client can choose Panasonic Anton Plate for optional.

Professional On Set Monitoring Tools

Accurately focus and efficient monitoring
The monitor provides a series professional auxiliary monitoring tools, such as waveform, 3D-LUT, peaking filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc. All of functions can easy to select and operate from menu, also can set shortcut button or via GPI control. Effectively improve the efficiency of on-site shooting and post-production.

3D LUT, Recreate Film Looks

Supports up to load 36 custom LUTs
3D-LUT is a table for quickly looking up and output specific color data. By loading different 3D-LUT tables, it can quickly recombine color tone to form different color styles. Built-in 4 DE-log LUT , you also can load the custom .cube file via USB flash disk (up to load 36).

HDR Monitoring

What you see is what you get
Supports HDR (high dynamic range) monitoring, for incredible clarity and details, effectively enhancing the overall picture quality. When HDR is activated, you can select Gamma and Gamut corresponding to the company Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.

Accurate waveform monitoring

Save your budget
Built-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode （can be right/left adjustment）. ATEM215S becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!

Gynamic UMD

TSL3.1/4.0 Protocol
ATEM215S supports UMD of TSL 3.1/4.0 protocol, with 0-126 TSL address selection, and Max 16 letters displayed. The UMD inputs via RS485 port and outputs via RS485 port.

Tally Lights

GPI controls Red Tally and Green Tally, which not only can remind the photographer to enter the recording state, but also appreciate the convenience of TV shooting quasi-professional technology in your creation.

Multiple Display Mode

16-Channel Audio Level Meters
The monitor can de-embedded audio from SDI and HDMI. Support select any 2 channels audio to output via 3.5mm headphone jack. Under SDI audio, it supports max 16-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.

Custom Menu Setting

ATEM215S provides 4 groups custom menu setting, which will be automatically saved after setting, and there is no need to reset when you turn on next time, saving time cost.

Portable Sunshade

New extended screen sun hood, to acquire the ideal visual effect in almost all environments.
Time Code

The monitor supports time code display under SDI signal, synchronization with the camera. Through the time code, you can quickly and accurately find a specific frame in the video It is particularly convenient to identify specific frame rates in filmming and television post production and video production.

Functions:

Focus Assist (Yellow, Red, Green, Blue, White) five colors optional highlight over parts of the image in focus)
Zebra (70IRE, 80IRE, 90IRE,user)
Monochrome (gray, red, green, blue)
False Color
Timecode
Nine Grid
Safety Marker ( 70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1,user)
Center Marker
Marker Mat(16:9, 16:10, 4:3, 1.85:1, 2.35:1)
All Waves (can be adjusted left or right)
Parade(OFF, RGB Parade, Y, YUV Parade)
Vector
Histogram
RGB Histogram
Audio Meter
HDR
3D-LUT
Scan Mode (Under Scan, Over Scan)
Video Aspect (auto, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1, user)
Anamorphic Mode (1.25X, 1.33X, 1.5X, 2.0X, 2.0X mag)
Zoom (4X, 9X, 16X)
Freeze
Pixel to Pixel
Colortemp (6500K, 9300K, user)
Display Mode(full screen, PIP, quad)